Marrakech
Marra, marshmallow: something soft, pink and sticky that you can sink into. Kech, a guttural and unknown sound with a kick: the hiss of a snake with a sting in its tail. The first two syllables roll around in an mmm of pleasurable dissipation, the last zaps a charge of fright through to heighten the senses. Hippies lolling around on cushions in an opium haze know that if they get caught a long jail sentence awaits. Artists caressing the voluptuous bottoms of young boys, find that the fear of deportation for sex crimes adds a certain thrill to the otherwise mundane trade.
The air is ripe with the promise of illicit pleasures. It’s the place to go to fall to pieces glamorously, where William Burrows fled to after shooting his wife by mistake, where Sebastian Flyte went to kill himself with booze in the tragic end to Brideshead Revisited. A person can corrode elegantly here; doing yourself in with heroin under grey skies in Hull just isn’t the same as smoking yourself into oblivion with opium in the azure Moroccan firmament.
When I was younger, I used to dream of sitting on a balcony of some colonial period French villa, a typewriter and glass of chilled wine on the table before me, gazing out at a square below bursting with white light and shouts from street traders. I’m going at the end of this month.

